‘Life hacks are part of a 200-year-old movement to destroy your humanity’ My Work At Quartz Piece


My latest Work At Quartz piece begins:

The quest for achieving peak productivity is now akin to a religion, one consisting of high priests (time management gurus, life hack specialists, productivity coaches, headlining management professionals), various teachings (apps, tools, approaches, methods, reminders, workstation re-designs, forms of discipline), and millions of willing aspirants (early adopters, workshop participants, testifiers, devotees). A search for “how to be more productive” yields, at present count, 40,900,000 results.

What remains deeply puzzling about the obsession with personal productivity is that it is a rather uninteresting goal. Isn’t peak productivity an oddly deflating cultural ideal, especially when put in comparison with Achilles’ heroic feats, Solon’s excellence in statecraft, St. Thomas Aquinas’s holiness, Beethoven’s beautiful symphonies, and G.I. Gurdjieff’s spiritual search? How did it become such an ideal for us to aspire to?

You can read the rest of it here.

My Big Think Interview: The Worship of Work: How Our Obsession With Productivity Makes Us Less Human

Total Work, a term coined by the philosopher Josef Pieper, is the process by which human beings are transformed into workers as work, like a total solar eclipse, comes to “occult” all other aspects of life.
In this interview with Big Think, I talk about the nature of total work:
To sign up for my “Total Work Newsletter: How Work Took Over The World,” go here: https://www.getrevue.co/profile/andrewjtaggart.

A Clarification On UBI

In the middle section of the Big Think interview, I briefly discuss Universal Basic Income (UBI). I haven’t yet advocated for it nor have I argued against it. What I argued instead is based on some antecedents: IF UBI were to be passed and IF it were sufficient to cover an individual’s material needs (that’s not what’s being prototyped in Finland, e.g., as I understand it), then what effect, from a philosophical point of view, might this have on the population in question? I suggested that IF my theses about total work are true (to wit, more and more people are on the way to becoming total workers) and IF UBI so understood were to come to pass, then what’s disconcerting is that most people wouldn’t know what to do with genuine leisure (otium). Given the work society into which we’ve been born and to which we belong, I think that UBI, so understood above, carries some risks since it raises the specter of nihilism, a specter that has been dwelling like a shadow beneath the surface of modern people’s lives while they work and work and work…



Total Work Newsletter: How Work Took Over the World


Total work is the process by which human beings are transformed into Workers and nothing less while more aspects of life are slowly transformed into work. In this newsletter, I’ll be documenting, reflecting upon, and seeking to understand this world-historical process, one that started at least as far back as 1800 and quite possibly well before then.

How is our relationship with work destroying our humanity? How, strangely, did work become a cultural obsession? And why does work dominate our world? Beginning in January, I grapple with these questions and more in . Sign up!


‘If work dominated your every moment would life be worth living?’ My Aeon Essay

My Aeon essay begins this way:

Imagine that work had taken over the world. It would be the centre around which the rest of life turned. Then all else would come to be subservient to work. Then slowly, almost imperceptibly, anything else – the games once played, the songs hitherto sung, the loves fulfilled, the festivals celebrated – would come to resemble, and ultimately become, work. And then there would come a time, itself largely unobserved, when the many worlds that had once existed before work took over the world would vanish completely from the cultural record, having fallen into oblivion.
And how, in this world of total work, would people think and sound and act?

You can read it in its entirety here.



The Philosopher Is Present #1: Questions In The Darkness


“The Philosopher Is Present #1: Questions In The Darkness” was a live performance held at the LungA School in Iceland on Wednesday, November 15, 2017.


Brief Description

“The Philosopher Is Present” is a performance intending to evoke mystery. Silence gestures toward ineffable presence while two strangers’ voices speaking into each other’s inclined ears suggests reverence. In this performance, durational art is woven together with the Socratic question and the Zen sense of mystery. The philosopher is present, though physically absent. The guests are present with one another.

How is this to be?

The philosopher is seated on the ground in one place; he is heard via Zoom. In Seyðisfjörður, Iceland, is a circle of guests. The first guest approaches the philosopher, sits down in front of the screen. She is blindfolded. She says, “I’m here.” They have never met before and know nothing about each other.

They begin in silence, and out of the silence there comes a question. The guest says what she believes to be true, her answer as concise as possible. She cannot ask him any questions. Neither knows what the other will say or what will occur. Time falls away, and could a glimpse of the mystery of existence be disclosed to them? The guest opens her eyes and leaves, and, moments later, another comes and sits down in front of the screen.

He is blindfolded. He says, “I’m here.” They have never met before and know nothing about each other. They begin in silence, and out of the silence there comes a question…


Seyðisfjörður, Iceland
Santa Fe, New Mexico, USA

Program Notes

Act I: Death
1a. Mother’s Eyes
1b. Mother’s Eyes

Interlude I

Act II: Love Lost
2a. When the Rain Came Down
2b. When the Rain Came Down

Interlude II

Act III: The End
3a. Is That All?
3b. Is That All?

Interlude III

Act IV: The Great Mystery
4. I Am What I Seek


Special thanks to: Jonatan Spejlborg and Lasse Høgenhof for inviting me to try PIP at LungA; to Daniel Kazandjian and Peter Limberg for letting me experiment with an earlier version of PIP at Stoicism Toronto; to Mattias Blomberg for sound editing; to Ivan Bilicki for bringing to my attention Peggy Lee’s “Is That All There Is?”; and to my wife Alexandra Dawn Taggart who helped me to prepare.