Against the postmodern view that the aim of art is to desecrate what is higher, to transgress sacred boundaries, or to disrupt the status quo, I posit that contemplative art glorifies while active art makes what is more plentiful. The tradition espousing the fullness of being is, of course, Romanticism.
For all his bluster against Romanticism as a form of decadence, Nietzsche certainly picked up one motif less (or so I suspect) from the scene of Greek orgy and more from his Romantic predecessors. In one of his final works, Twilight of the Idols, he writes effulgently of that ‘overflowing feeling of life,’ that ‘affirmation of life,’ the ‘eternal joy of becoming’ which he associates with Dionysus. In a Dionysian view of life as art,